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PRODUCTS – FILM INDUSTRY – PLUG INS – SPEEDSIX

SpeedSix

SpeedSix offers a wide range of plug in effects and creative controls for ASSIMILATE Inc.'s SCRATCH®. These include their range of MONSTERS, RAPTORS and more...

SpeedSix Monsters


SpeedSix Monsters for Scratch
offer a huge range of over 200 effects to give you design options that simply aren't available with other motion graphics plug-ins; installation is simple, and the user interface is very easy to use. From the weird to the wonderful (and the downright indispensible) Monsters have them all. These plug-ins are as high-end and sophisticated as you can get!

 

SpeedSix Monsters


The SpeedSix Raptors range
continues to grow, and in 2008 SpeedSix have added a new set: TRAILZ Raptors offer the same interface, creative control and technical support, installation and licensing as Monsters. Powerful tools for retiming, lens flares, shot distortion matching, fire, organic fluid effects and automatic trail generation help to achieve the brief quickly, creatively and efficiently. Speedo, Lenz, Fluidz and Trailz can be purchased individually, or as a bundle.

For more details of the individual plug in, categories, boxes, etc. please visit the SpeedSix site. Click here.

To contact Benchmark, click here.

 

QUICK LINKS

SpeedSix

Contact BENCHMARK


ABOUT SPEEDSIX

SpeedSix was founded in late 2002 to develop and market visual effects software plugins for high-end film and TV post-production.

The company is privately owned and funded by people with many years experience of image processing, 3D animation and visualisation.

This experience has combined to produce the world-renowned suite of visual effects plugins – Monsters; the most comprensive set available for high-end post.

2005 saw the introduction of a second range – Raptors; which now includes a sophisticated retimer, a package of lens tools, and the fluid-dynamics effects set – Fluidz.

Based on a farm in the rolling hills of Surrey just outside London, SpeedSix is light-years away from the thick of it, but always right there.



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